Between Riverside and Crazy
Winner of the 2015 Pulitzer Prize, Between Riverside and Crazy is "a dizzying and exciting place to be!" (Ben Brantley, The New York Times). Eugene Lee returns to The Public as Walter, a retired police officer who lives in a disorderly but very desirable rent-controlled apartment. He shares his chaotic home with son Junior, the foxy Lulu, and a convicted felon. Oh, and the dog. Things get even trickier when an ambitious couple from the NYPD and a surprising Church Lady barge in. But at the play’s heart is the attitude that, no matter what, life is full of possibilities. Those who loved Pamela Berlin’s direction of The Diary of Anne Frank last season won’t want to miss her staging of this dark and entertaining comedy by Stephen Adly Guirgis (The Motherf**ker with the Hat).
By Stephen Adly Guirgis
Directed by Pamela Berlin
*Mature Content*
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Featuring
Eugene Lee
Walter 'Pops' Washington
In 1972, while in college, Mr. Lee acted in a command performance of A Raisin in the Sun for President Lyndon B. Johnson at his Texas ranch. Forty plus years later, Mr. Lee has gone on to appear and work in more than 200 television movies, films, and series. On stage, he is considered a “Wilsonian Warrior” for his many appearances in the works of August Wilson, including the playwright’s final autobiographical one-man piece, How I Learned What I Learned. Mr. Lee’s other stage credits include performances at theaters all over the country and his television writing credits include: “Homicide: Life on the Streets,” “Walker, Texas Ranger,” “Michael Hayes,” “The Journey of Allen Strange,” “The Turks,” and the television movie,“Port Chicago.” His own characters come to life through his plays: East Texas Hot Links, Fear Itself, Somebody Called: A Tale of Two Preachers, Killingsworth, Lyin’ Ass, and the musical, Twist. www.eugeneleeonline.com
Bryant Bentley
Junior
BRYANT BENTLEY makes his debut at Pittsburgh Public Theater and he’s very excited to join this stellar cast. Theater credits include Jackie Robinson in Most Valuable Player at Indiana Rep Theater; Boy Willie in The Piano Lesson at American Stage Theater, Portland Playhouse Theater, and CATCO Theater; Levee Green in Ma Rainey’s Black Bottom, Topdog/Underdog, A Soldier’s Play, The Exonerated, Two Trains Running, Jitney, Gem of the Ocean, Blues for an Alabama Sky, Between Riverside and Crazy (directed by Broadway Lighting Designer Brian MacDevitt) at Studio Theater in Washington, D.C.; and Fences at Everyman Theater (directed by Clinton Turner Davis), Short North Stage, and Pittsburgh Playwrights Theater (directed by Pittsburgh’s own Mark Clayton Southers). Bryant’s film credits are The Killing of the Sacred Deer starring Collin Farrell and Nicole Kidman (directed by Yorgos Lanthimos); Mercy starring Ellen Page, Kate Mara, and Broadway star Tonya Pinkins (directed by Tali Shalom Ezer); and All or Nothing. These films will hit screens in 2017. He is the recipient of the 2013 Theater Roundtable Award for Best Male Actor in a Leading Role in Matthew Lopez’s The Whipping Man and Central Ohio Theatre Critics Circle Award for Best Male Actor in a Leading Role for Boy Willie in August Wilson’s The Piano Lesson.
Alejandro Hernandez
Oswaldo
ALEJANDRO HERNANDEZ is thrilled to be making his Pittsburgh Public debut in Between Riverside and Crazy. Stage credits include Orpheus in the Berkshires, Have you been there?, and The First Immigrant at Williamstown Theatre Festival; Wondrous Strange at the 40th Annual Humana Festival of New American Plays; Peter and the Starcatcher and The Wedding Guest at Actors Theatre of Louisville; Comida de Puta at the West End Theater; The Virilogy at Under St. Marks Theater; and Profiles at Passage Theater Company. TV: “Vinyl,” “Sneaky Pete,” “Law & Order: SVU,” “Gotham,” “Madam Secretary.” Film: My Name is Milo Anthony, Monster (upcoming). Alejandro received his BFA in Theater with a concentration in Acting from Montclair State University, was a member of the 2015/2016 Acting Apprentice Company at Actors Theatre of Louisville, and the 2016 Non-Equity Company at Williamstown Theatre Festival.
Christina Nieves
Lulu
CHRISTINA NIEVES was most recently seen in the Off-Broadway premiere of Exit Strategy at Primary Stages. Regional theatrical credits include: The House on Mango Street (Steppenwolf Theatre); El Nogalar, The Sins of Sor Juana (Goodman Theatre); West Side Story, Les Misérables (Drury Lane); In the Heights (Paramount Theatre); A Midsummer Night’s Dream (Chicago Shakespeare Theatre); Dee Snider’s Rock & Roll Christmas Tale (Broadway Playhouse); Depraved New World (Second City); Welcome to Arroyo’s (American Theatre Company). Christina is an ensemble member with Teatro Vista and a graduate of The Theatre School at DePaul University. She is also the creator and co-host of “Include This Podcast.” www.christina-nieves.com
Karina Arroyave
Church Lady
KARINA ARROYAVE is best known for her role as Jamey Farrell in the TV show “24” and 2005’s Best Picture winner, Crash. Other film/TV credits include “Criminal Minds: Beyond Borders,” “Bull,” “The Mysteries of Laura,” “Blue Bloods,” 187, Falling Down, Lean On Me, Dangerous Minds, Flawless, “NYPD Blue,” “As the World Turns,” “Law & Order,” “The Practice,” “Judging Amy,” “Chicago Hope,” “Touched By an Angel,” and “Without a Trace.” Theater credits include Jose Rivera’s Marisol and School of the Americas, Eduardo Machado’s Once Removed, Tony Glazer’s Stain, Stephen Adly Guirgis The Motherf***er With the Hat, Quiara Alegria Hudes’ Water By the Spoonful, and Adam Bock’s Swimming in the Shallows. Her Broadway debut was in Jane Bowles’ In the Summer House. Most recently she has appeared in the films The Karma Club, Lost Cat Corona, and the Oscar-qualifying short film Family on Board.
Dawn McGee
Detective Audrey O’Connor
DAWN MCGEE is thrilled to be making her Pittsburgh Public debut! Theater credits include: Zamboni (Soho Playhouse/FringeNYC Encore), Stereo/Blind (Playwrights Realm/New World Symphony), Dido of Idaho (Ensemble Studio Theatre), Cora and Dave Are Getting Older (Ensemble Studio Theatre), Singles in Agriculture (The Brick), Marla and Her Prayers (New Perspectives), The Untitled Degradation Play (Rising Phoenix), The Average-Sized Mermaid (FringeNYC), The Asphalt Kiss (59E59), Chekhov’s Rifle (with Austin Pendleton), Todd Brogan’s Sketch Show (The PIT). Film/TV: Being Flynn (with Robert DeNiro), Home Free, Bobby Dogs, I Am the Bread, Wasted, “Crashing,” “Deadbeat,” “The Jim Gaffigan Show,” “Casting,” “House of Cards,” “Louie,” “The Onion News Network,” “As the World Turns” (recurring), as well as numerous commercials and Mary Ann Quinn in “Grand Theft Auto V.” Upcoming, serial sci-fi podcast: “The Message: LifeAfter.” Member: Ensemble Studio Theatre, New Jersey Rep, SAG-AFTRA. www.dawn-mcgee.com
Drew Stone
Lieutenant Caro
DREW STONE returns to Pittsburgh Public Theater after debuting in this season’s Between Riverside and Crazy, directed by Pamela Berlin. New York credits include The Seagull and Vieux Carré (both productions directed by Austin Pendleton), The Chase (dir. Rochelle Oliver), Hedda Gabler (dir. Amy Wright), and Orson’s Shadow (dir. Lauren Reinhard). Regional work includes Alaska Rep, ACT Seattle, and the Hudson Valley Shakespeare Festival. He also performed in a two-man show with George Takei at the Edinburgh Festival in Scotland. Film work includes Martial Law with David Carradine and April in Blue (dir. Christian Hogarth). www.drew-stone.com.
Stephen Adly Guirgis
PlaywrightSTEPHEN ADLY GUIRIGS is one of the most acclaimed playwrights in America today. In 2015 he received the Pulitzer Prize for Drama for Between Riverside and Crazy. His play The Motherf***er With the Hat ran on Broadway, starring Chris Rock and Bobby Cannavale, and received six Tony Award nominations including Best Play. Mr. Guirgis’ plays Our Lady of 121st Street, Jesus Hopped the A Train, The Last Days of Judas Iscariot and In Arabia We’d All Be Kings were all originally produced by New York’s LAByrinth Theater, where he is a longtime member, and were directed by Philip Seymour Hoffman. Since then Mr. Guirgis’ plays have received productions on five continents and across the United States. Most recently, with filmmaker Baz Luhrmann, he was the co-creator/writer and executive producer of the Netflix series, “The Get Down,” about the rise of hip-hop in the Bronx. Mr. Guirgis lives on Riverside Drive in New York City.
Pamela Berlin
DirectorPAMELA BERLIN has directed ten previous productions at Pittsburgh Public Theater: Between Riverside and Crazy, The Diary of Anne Frank, The Glass Menagerie, True West, Clybourne Park, Red, A Moon for the Misbegotten, Talley’s Folly, Driving Miss Daisy, and Tea. New York credits include: Steel Magnolias (also Los Angeles, Chicago, and National Tour); To Gillian on Her 37th Birthday (Circle in the Square); The Cemetery Club (Broadway); Joined at the Head and Pretty Fire (Manhattan Theatre Club); The Family of Mann and Red Address (Second Stage); Black Ink and Elm Circle (Playwrights Horizons); Endpapers (Variety Arts); Snowing at Delphi, Club Soda and Peacetime (WPA); Winners and Close Ties (Ensemble Studio Theatre). Regionally, she has directed at The Long Wharf, Kennedy Center, Huntington, Seattle Rep, Pasadena Playhouse, Pioneer, Los Angeles Theater Center, Portland Stage, Virginia Stage, TheatreWorks in Palo Alto. Opera credits: La Traviata, Rigoletto, Madame Butterfly, Lucia di Lammermoor, Eugene Onegin, A Midsummer Night’s Dream, Of Mice and Men, Bernstein’s Mass. She recently directed Stravinsky’s Histoire du Soldat. Pam has taught directing and acting at the Mason Gross School of the Arts at Rutgers University and Brooklyn College, and served for six years as President of the Stage Directors and Choreographers Society, a national labor union.
Michael Schweikardt
Scenic DesignerSelected recent Pittsburgh Public Theater credits include Daddy Long Legs, Between Riverside and Crazy, Guys & Dolls, The Diary of Anne Frank, and Talley’s Folly. Selected Off-Broadway productions include The Bus and the American premiere of Frank McGuinness’ Gates of Gold (59E59), Bloodsong of Love (Ars Nova), The Black Suits (The Public Theater), Things to Ruin (Second Stage, The Zipper Factory), The Plant That Ate Dirty Socks (Theaterworks USA at The Lortel). Selected regional credits include productions at Portland Center Stage, Ford’s Theatre, The Old Globe, Cleveland Play House, Cincinnati Playhouse in the Park, Asolo Repertory Theatre, Maltz Jupiter Theatre, Saint Louis Rep, Sarasota Opera, The MUNY, Papermill Playhouse and multiple productions for Goodspeed Musicals including Fiddler On the Roof, The Most Happy Fella, Carousel, Showboat, Annie Get Your Gun, 1776, Big River, and Camelot. Tours: James Taylor’s One Man Band, ELLA, Motherhood the Musical. Other productions: Oklahoma! starring Kelli O’Hara and Will Chase celebrating the Oklahoma State centennial. Michael recently designed productions of Marie Antoinette the Musical and Phantom for EMK International in Seoul, South, Korea. www.msportfolio.com
Suzanne Chesney
Costume DesignerSUZANNE CHESNEYPittsburgh Public Theatre credits include Steel Magnolias, Clybourne Park, The Diary of Anne Frank, The Humans, The Glass Menagerie, Between Riverside and Crazy. Other regional The Play that Goes Wrong, The Wolves, Talley’s Folly, Next to Normal, To Kill a Mockingbird, Blithe Spirit, Turn of the Screw (Syracuse Stage); Third, Or What She Will, Degage, Chicago, A Christmas Carol (The Hangar Theatre); In Every Generation (TheatreWorks Silicon Valley); The Bookstore (New Jersey Rep). Suzanne is a member artist at the Ensemble Studio.
John Lasiter
Lighting DesignerJOHN LASITER has designed lighting on Broadway, Off-Broadway, internationally, and in such regional theaters across America as Actors Theatre of Louisville, Arena Stage, Arizona Repertory Theatre, Asolo Repertory Theatre, Center Stage (Baltimore), Cincinnati Playhouse, Cleveland Play House, Dallas Theater Center, Florida Stage, George Street Playhouse, Geva Theatre Center, Goodspeed Musicals, Long Wharf Theatre, Milwaukee Repertory Theater, New Mexico Repertory Theatre, The Muny, Northlight Theatre, Paper Mill Playhouse, Pioneer Theater Co., Pittsburgh Public Theater, South Coast Repertory, Syracuse Stage, Virginia Stage Company, and the Repertory Theatre of St. Louis. Mr. Lasiter’s opera design credits include Eos Orchestra, the Curtis Institute of Music, Glimmerglass Opera, Manhattan School of Music, Opera Delaware, Opera Carolina, and Skylight Opera Theatre. Dance credits include Ballet Memphis, Danzantes Los Angeles, Danzantes New Mexico, Irene Hultman Dance, Nora Reynolds Dance, Randy James Dance Works, and 10HL. www.johnlasiter.com
Zach Moore
Sound DesignerIs a lifelong Tolkien fan and is thrilled to be collaborating on The Hobbit. His 100+ sound designs at Pittsburgh Public Theater include the world premieres of Billy Strayhorn; Something to Live For, L’Hotel, The Chief, Harry’s Friendly Service, The Glorious Ones, and Paper Doll; original music for Marjorie Prime, A Doll’s House Part 2, Hamlet, Equus, and Circle Mirror Transformation; as well as designs for Sweat, The Diary of Anne Frank, Thurgood, Red, and Little Shop of Horrors. Other collaborations include Alabama Shakespeare Festival, Reduced Shakespeare Co., Asolo Rep, City Theatre, Pittsburgh Playhouse, NBA Ballet in Tokyo, TheaterWorks Hartford, The Huntington, Long Wharf Theatre, and Dallas Theater Center.
Randy Kovitz
Fight Consultant
RANDY KOVITZ Past roles at The Public include Otto Frank in The Diary of Anne Frank and Charlie in Death of a Salesman. Randy has also staged fights for over a dozen productions at The Public and for hundreds of other film, TV and stage productions around the country. Other acting credits include numerous roles on and off Broadway and regional theaters and neary 100 film and television roles. www.randykovitz.com.
McCorkle Casting, LTD.
CastingPat McCorkle, C.S.A. and Katja Zarolinski, C.S.A. Broadway: More than 50 productions including Amazing Grace, On the Town, End of the Rainbow, The Lieutenant of Inishmore, The Glass Menagerie, Cat on a Hot Tin Roof, One Flew Over the Cuckoo’s Nest, Amadeus, She Loves Me, Blood Brothers, A Few Good Men. Off-Broadway: More than 60 original productions including Clever Little Lies, Becoming Dr. Ruth, Tribes, Our Town, Falling, Freud’s Last Session, Toxic Avenger, Almost Maine, Killer Joe, Driving Miss Daisy. Feature films: Senior Moment, Year by the Sea, Child of Grace, My Man is a Loser, Ghost Town, Secret Window, Tony and Tina's Wedding, The Thomas Crown Affair, The 13th Warrior, Madeline, Die Hard With a Vengeance, School Ties, etc. Television: “Twisted” (ABC Family), humans for “Sesame Street,” "Californication" (Emmy nomination), “Hack” (CBS), “The Education of Max Bickford” (CBS), “Chappelle’s Show,” “Strangers With Candy,” “Barbershop” (Comedy Central), and series for Showtime, HBO, TMC.
Fred Noel
Production Stage ManagerFRED NOEL is happy to return for his 29th season as Production Stage Manager at Pittsburgh Public Theater. He also completed four seasons with The National Theatre of the Deaf, touring throughout the United States and China. Mr. Noel was Stage Manager for the Performing Arts Season at the Model Secondary School for the Deaf in Washington, D.C. and Gallaudet University’s tours of Europe, Argentina, Japan, India, South Africa, Mexico, and Romania. He also serves part-time as Production Manager for D.C. area Quest Visual Theatre; he assisted the company in producing Deaf Way II, an international deaf arts festival, and several shows as part of the Edinburgh International Festival Fringe. His credits also include the Off-Broadway production of Women of Manhattan. Mr. Noel is a Pennsylvania native and alumnus of Duquesne University. In Pittsburgh, he has also stage managed for Don Brockett Productions, Pittsburgh CLO, and Carnegie Mellon Showcase of New Plays.
Phill Madore
Assistant Stage ManagerPHILL MADORE is delighted to return to Pittsburgh Public Theater for a third season. Previous credits include Death of a Salesman, Twelfth Night, Between Riverside and Crazy and Guys & Dolls. Locally, Phill served as the resident stage manager for Pittsburgh Irish and Classical Theatre for seven seasons where he worked on more than 75 productions, including the complete stage works of Samuel Beckett and J.M. Synge. Other area credits include 1984 at Bricolage and BUG at barebones productions. Regional work includes North Shore Music Theatre, Long Wharf Theatre, Weston Playhouse Theatre Company, New Rep, and Westport Country Playhouse. Phill is an alum of Point Park University and a proud member of Actor’s Equity Association for 12 years!
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