Céline Rosenthal is a Tony®-nominated producer, "Key" member of The Ring Of Keys, and New Georges Affiliate Artist. They have spent seven seasons as associate artistic director at Asolo Repertory Theatre, where they directed Dial M For Murder, Grand Horizons, Camelot, The Lifespan of a Fact, Incident at Our Lady of Perpetual Help, A Midsummer Night's Dream, The Tempest, and served as AD to Frank Galati on Knoxville. Celine has developed new work with NYMF, MTF, The Kidoons, Tamasha, and N.Q.T., as well as creating The Ground Floor, Asolo Rep’s premiere new work series. Other Recent Projects: In The Next Room, Angel Street, A Doll’s House, Spike Heels (Studio Theatre); Trayf (New Rep); Drowning in Cairo (N.Q.T); the award-winning short film “Wildflower”.  

Antonio is an art director and set designer for Film, Television and Theater based in Los Angeles. He is an alumni of Carnegie Mellon’s School of Drama. Previously, he designed Dial M working with director Céline Rosenthal at Asolo Rep. Theatre. Screen credits include the upcoming film Freakier Friday (Disney), Bel-Air (Peacock), and Archive 81 (Netflix). Theater credits include Chicken & Biscuits (Asolo Rep), as well as assisting designers on various Broadway, regional, and national tour productions.

Annmarie Duggan (Lighting Designer) Ms. Duggan is excited to return to The Public having last lite Tell Tale Heart. Ms. Duggan has designed more than four hundred productions in her career. Regional Credits: American Girl Place Theatre, Chicago, LA, and New York, Skylight Music Theatre, Maine State Music Theatre, Fulton Operas House, Pittsburgh Playhouse and Athens Theatre to name a few. Ms. Duggan is a Professor at the University of Pittsburgh; she teaches in the areas of Lighting Design and Stage Management. Ms. Duggan also works in application development for theatre professionals, you can find more information about her design work and applications at www.amddesignonline.com

Tracy Dorman has designed productions at regional theater and opera companies around the country, including at Asolo Repertory Theatre, Syracuse Stage, Cincinnati Playhouse in the Park, Cleveland Play House, Geva Theatre, Milwaukee Rep, Actors Theatre of Louisville, Indiana Repertory Theatre, Kansas City Rep, Gulfshore Playhouse, Maltz-Jupiter, Virginia Opera, Kentucky Opera, Chicago Opera Theatre, and Glimmerglass. Please visit www.tracydorman.com for a more extensive listing of production credits.

Stewart Blackwood is thrilled to be joining The Public for this production! His creative and technical work has been viewed nationally at venues such as the Cleveland Play House, Center Theatre Group, and La Jolla Playhouse. He is a professor of Composition and Sound Design at Carnegie Mellon University and holds an MFA from UC San Diego.

She/Her  Michelle designs for Asolo Rep and FSU/Asolo Conservatory. Other credits: Sarasota Ballet, Palm Beach Drama Works, Free Fall Theatre, Urbanite Theatre, Florida Studio Theatre, West Coast Black Theatre Troupe, Banyan Theatre, Ruth Eckerd Hall, Venice Theatre, Dorset Theatre, Barrington Stage and Open Stage Theatre. She has also done hair and/or make-up for Joan Rivers, Doris Roberts, Martin Short, Jane Russell, Arlene Dahl, Soledad Villamil, Jane Pauley, Richard Dreyfuss, Castille Langdon, Christopher Higgins, Mary Mara, Heather Robb, Lauren Sweetser, Justin Long, Paul Downs, Douglas Sills, and Nia Hills. Music videos “Second Chance” by Shinedown, “Reverse Cowgirl” by T-Pain. Film and television: Lady Of The Manor, Paradise, FL, and The Real Stephen Blatt. 

Kathy Lynne Mathews is a native of Pittsburgh PA, where she has been a hairstylist for nearly 30 years. Kathy is a member of IATSE Local 3 and has had many opportunities to work on various plays and musicals. The Importance of Being Earnest is particularly special because it is her first opportunity to be a Hair Designer for a production. The entire experience has been extremely rewarding.

Emily is a proud AEA stage manager based in New York! Recently, as stage manager: The Hello Girls (Prospect Theater Company); Hannah Senesh (NYTF); The Wickhams: Christmas at Pemberley (Arizona Theatre Company); As ASM: A Walk With Mr. Heifetz (Primary Stages); Public Servant (Theater Breaking Through Barriers); La Cage aux Folles (Barrington Stage Company). Many thanks to Céline, Kelly, and Pittsburgh Public Theater! 

Past Pittsburgh Public Theater productions: Steel Magnolias, A Tell-Tale Heart, Noises Off, An Iliad, Dragon Lady, Little Shop of Horrors, Barefoot in the Park, A Raisin in the Sun, and The Importance of Being Earnest. Kelly has also done several productions with Pittsburgh CLO, Pittsburgh Opera and Pittsburgh Ballet Theatre.